Photo Exhibitions | MONOVISIONS - Black & White Photography Magazine

Rick McCloskey: Van Nuys Blvd. 1972

28 July 2019 0

There was a time, lasting a full thirty years, when every main street in every town, and in every city in America was teeming with a celebration of young people and their automobiles. From the late 1940s through the end…

David Plowden: Bridges

26 July 2019 0

Born in Boston in 1932, David Plowden spent over six decades photographing America’s disappearing landscapes and the vestiges of its industrial heyday — steel mills, locomotives, bridges, skyscrapers, small towns. He has, in his own words, “made a career of…

Christine Osinski: Summer Days Staten Island

24 July 2019 0

Taken in the “forgotten borough” of Staten Island between 1983 and 1984, Christine Osinski’s photographs create a portrait of working class culture in an often-overlooked section of New York City. Captured on Osinski’s large format 4 x 5 camera as…

Dona Ann McAdams: Performative Acts

22 July 2019 0

In the 1980s I often attended performances at P.S. 122, the seminal venue for avant-garde performance in New York. As an artist and curator, I found inspiration, talent, and a community of intense purpose. Identity-based politicized work found its home…

Alexander Ustinov: The power and truth of Alexander Ustinov

8 July 2019 0

The Lumiere Brothers Center for Photography returns to its study of Soviet-era photography with an anniversary exhibition of photographs by Alexander Ustinov to mark his 110th birthday. A legend of the most important newspaper of his era—Pravda—where he worked for…

Pushing West: The Photography of Andrew J. Russell

27 June 2019 0

Travel back in time through Andrew J. Russell’s epic photography of the Transcontinental Railroad’s western expansion, completed 150 years ago in 1869. Though commissioned to document the railroad and its successful development, Russell’s photography reveals the tensions between the economic…

Nino Migliori at Keith de Lellis Gallery

21 June 2019 0

Keith de Lellis Gallery features the mid-century work of Italian photographer Nino Migliori (b. 1926) in this summer’s exhibition. Self-taught, Migliori began making photographs in 1948, documenting his familiar and beloved Italy as it emerged from the second world war.…

Jerry N. Uelsmann: Magician of the Darkroom

19 June 2019 0

Parallel to our main exhibition, we are showing photographs by Jerry Uelsmann in our cabinet. Uelsmann is one of the most influential photographers of his generation, because he did not only challenge with his montages the prevailing canon of his…

You Are Here: A Brief History of Photography and Place

18 June 2019 0

You Are Here: A Brief History of Photography and Place both embraces and challenges the photograph’s role as a faithful record of place, examining photography’s successes and failures in rendering, and sharing, fragments of the world. Drawn almost exclusively from…

Gil Rigoulet: Deaf Love

15 June 2019 0

“But soon there will be nothing left. Traces of lipstick on a glass remind us that only a few moments before, bodies were intertwined, each lusting for the other. Only objects remain. Now left to their own demise. Vases, glasses,…

Diane Levell: Intrepid Alchemist: Diane Levell’s Bucks County

13 June 2019 0

This exhibition features an extraordinary series of landscapes by master photographer Diane Levell (American, born 1946), whose works are marked by poetic beauty, coupled with technical prowess. A selection of more than 20 photographs from Levell’s Bucks County series (2015…

Timothy Duffy: Blue Muse

9 June 2019 0

For the past several years, Timothy Duffy (American, born 1963) has created one-of-a-kind direct positive tintype portraits of American musicians. Despite the importance of these musicians and the national legacy they represent, most remain little known. Duffy’s masterful photographs, shot…

Joel-Peter Witkin: From the Studio

8 June 2019 0

For more than 60 years, Joel-Peter Witkin has stayed true to his mission: to create photographs that show the beauty of marginalized people by placing them into art referential tableaus, often laced with Catholic overtones. His work features hermaphrodites, post…

Marvin E. Newman: On the Avenues

4 June 2019 0

Marvin E. Newman is one of the great and underappreciated post-war photographers. He, along with Aaron Siskind and Edward Wallowitch, was one of three photographers known to be a member of the Photo League, and attend Chicago’s Institute of Design…

Constantin Brâncuși: Brâncuși’s Flowers

3 June 2019 0

Brâncuşi’s Flowers offers an unprecedented opportunity to view eight of the sixteen known images on the subject matter. Each photographed and printed by the artist in his darkroom during the 1920s and 1930s, these still lifes, or “nature’s readymades”, served…

Brian Griffin: Work and other stories

31 May 2019 0

MMX Gallery is delighted to be showing a selection of Brian Griffin’s early work from the 1970s and 1980s. Exhibited prints will include images from his books Moscow, 1974; Copyright, 1978; Power, 1981and Work, 1988. Inspired by fine art movements;…

Letizia Battaglia: Fotografia come scelta di vita

29 May 2019 0

From 20 March to 18 August 2019, the Casa dei Tre Oci in Venice will be hosting a large-scale anthological show of the work by Letizia Battaglia (Palermo 1935), one of the most significant protagonists of Italian photography, and it…

Chris Simpson: Carnets de Voyage

27 May 2019 0

Atlas Gallery is delighted to announce the first solo exhibition of photographs by Chris Simpson in London. Simpson’s Carnets de Voyage series of images taken during his years travelling the world capture the beauty of the places he went -…

Sunil Gupta: Christopher Street

24 May 2019 0

Hales is delighted to announce Sunil Gupta’s first solo exhibition with the gallery, Christopher Street. Over a career spanning four decades, Gupta has remained dedicated to advocating the visibility of queer identity, cultivating a compelling practice which is simultaneously political…

Mimi Plumb: Landfall

23 May 2019 0

Landfall offers an uneasy view into a world seemingly under threat and on the brink of nuclear war. Plumb’s dystopian images provide the viewer with a narrative that is as much ominous as it is seductively mesmerizing and compassionately human.…

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