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Peter Bush: MANA, 60 Years of All Blacks Photography

Peter Bush: MANA, 60 Years of All Blacks Photography

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In Māori culture, mana is honor. For the All Blacks and many New Zealanders, to have mana is to have one of the highest honors bestowed upon a person. Drawing upon the Māori concept of mana, the exhibition surveys the All Blacks, New Zealand’s male rugby union team and the most successful international sporting team of all time, maintaining a…
Harry Benson: The Beatles and more

Harry Benson: The Beatles and more

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The Lumiere Brothers Center for Photography presents the first exhibition in Russia by the photojournalist Harry Benson, who created the iconic photographs of The Beatles and the portraits of all the American presidents from Dwight Eisenhower to Donald Trump. The main part of the exhibition are photographs of The Beatles, with whom Benson worked from 1964 to 1966. It was…
Sam Haskins: Cowboy Kate & Other Stories

Sam Haskins: Cowboy Kate & Other Stories

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‘Once upon a time was Kate. She was white as flowers, warm as sun-shine, wild as whiskey and swinging like a lamp.’ – Desmond Skirrow Atlas Gallery is pleased to present a selection of cinematic black and white prints from the historic photobook Cowboy Kate & Other Stories (1964) shot by South African-British photographer Sam Haskins and exhibited for the…
A Lasting Memento: John Thomson’s Photographs Along the River Min

A Lasting Memento: John Thomson’s Photographs Along the River Min

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Voyage into 19th-century China through one of PEM’s photographic treasures, John Thomson’s album Foochow and the River Min. This intimate exhibition features more than 40 striking landscapes, city views and portrait studies that Thomson captured as he traveled in the southeastern Fujian province. Photographs by contemporary artist Luo Dan, who was inspired by Thomson to undertake a similar journey in…
Bruno Bernard (Bernard of Hollywood): Girls, Girls, Girls!!!

Bruno Bernard (Bernard of Hollywood): Girls, Girls, Girls!!!

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The exhibition is dedicated to the exiting Pin Ups and girls’ pictures of the german-american photographer Bruno Bernard, better known as Bernard of Hollywood (1911-1987). In 1934 Bernard promoted in criminal psychology in Germany and emigrated 1936 to the USA because of hisJewish ancestry. There he photographed in Los Angeles since 1938 and opened his studio two years later in…
Marianne Strobl: 1865-1917

Marianne Strobl: 1865-1917

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The legacy left behind by the Viennese photographer Marianne Strobl (1865-1917) proved to be a windfall for historians of photography. Strobl did not want to earn her money in a portrait studio like most of her female colleagues. Instead, between 1894 and 1917, she took her camera out to major construction sites and industrial facilities, and today she ranks as…
Vladimir Lagrange: LAGRANGE’S STREETS

Vladimir Lagrange: LAGRANGE’S STREETS

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The Lumiere Brothers Center for Photography opens a new exhibition season with a jubilee retrospective of Vladimir Lagrange, whose work has become the very image of the “thaw” of the 1960s. The photographer’s overwhelming desire to observe the world, his attention towards people, and the amazing sense of the spirit of the era have provided us with an extensive archive.…
Constructing the Frame: Composition Among the Early Soviet Avant-Garde

Constructing the Frame: Composition Among the Early Soviet Avant-Garde

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Constructing the Frame showcases exciting experiments with framing and composition among the leading avant-garde artists of the 1920s and 1930s, including Aleksandr Rodchenko, Boris Ignatovich, Petr Galadzhev, Gustav Klutsis, Arkady Shaikhet, Georgy Petrusov, and Yakov Khalip. By the mid-1920s, photography and cinema were at the forefront of the arts in the Soviet Union. In 1924, Aleksandr Rodchenko had abandoned painting…
Carleton Watkins

Carleton Watkins

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Fraenkel Gallery is pleased to present an exhibition of twelve rare, mammoth-plate photographs by Carleton Watkins, considered by many to be the greatest American photographer of the nineteenth century. Watkins was the focus of the gallery’s first exhibition in September 1979, and the present project marks the beginning of a season-long celebration of Fraenkel Gallery’s fortieth year. Though made within…
2nd Kyiv Photo Book International Festival

2nd Kyiv Photo Book International Festival

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The goals of festival are creating a place of intercultural exchange and developing photography art market in the country. The central event of the festival is a fair of photo books from photographers, publishing houses, art galleries, book distributors. Along with the fair, the festival will have an exhibition of private collections of photo books. The educational hall will host…
Michael Kolster: Take Me to the River

Michael Kolster: Take Me to the River

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In the spirit of nineteenth-century photographers such as Louis Daguerre, Henry Fox Talbot, and Timothy O’Sullivan, the photographs on view are ambrotypes, unique glass-plate positives, made with the wet-plate collodion process in a portable darkroom Kolster sets up along the banks and overlooks of these rivers. The chemical slurries that develop and fix the image on the glass plate actually…
David Yarrow: It’s Five O’Clock Somewhere

David Yarrow: It’s Five O’Clock Somewhere

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David Yarrow is now recognized as the worlds best selling fine art photographer of his genre. In recent years, he has found his true comfort zone in capturing the animal and human world in a fresh and creative way, with philanthropy and conservation central to his passion to document. In 2018, charitable donations from the sale of David’s images exceeded…
Danny Lyon: The Bikeriders

Danny Lyon: The Bikeriders

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Danny Lyon’s The Bikeriders (1968), became a seminal work of New Journalism when the photographer documented some of the real-life subjects that helped invent the ethos conjured by Loewenthal’s project. Lyon was twenty-one years old, a student at the University of Chicago and a member of SNCC (Student Nonviolent Coordinating Committee), when he began riding with and photographing the Chicago…
Lee Friedlander: Signs

Lee Friedlander: Signs

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Fraenkel Gallery is pleased to present Lee Friedlander: SIGNS, an exhibition examining the five-decade long obsession of this highly influential photographer. Since the early 1960s, Friedlander has focused on the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Made in New York, San Francisco, and dozens of cities and small towns in between,…
Victor Cobo: Remember When You Loved Me?

Victor Cobo: Remember When You Loved Me?

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ClampArt is proud to present “Remember When You Loved Me?,” an exhibition of dramatic, black-and-white photographs by artist Victor Cobo. The show is Cobo’s first solo exhibition in New York City. Through his photography, Victor Cobo paints a dark, sometimes sinister world of ambiguity. At turns autobiographic and then entirely fabricated, he weaves blustery landscapes with high-contrast figurative imagery including…
Rick McCloskey: Van Nuys Blvd. 1972

Rick McCloskey: Van Nuys Blvd. 1972

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There was a time, lasting a full thirty years, when every main street in every town, and in every city in America was teeming with a celebration of young people and their automobiles. From the late 1940s through the end of the 1970s, the culture of ‘cruising’ captured and dominated the ‘public space’ during the evenings along the chosen thoroughfares…
David Plowden: Bridges

David Plowden: Bridges

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Born in Boston in 1932, David Plowden spent over six decades photographing America’s disappearing landscapes and the vestiges of its industrial heyday — steel mills, locomotives, bridges, skyscrapers, small towns. He has, in his own words, “made a career of being one step ahead of the wrecking ball.” It so happens that Plowden’s initial foray into what would become a…
Christine Osinski: Summer Days Staten Island

Christine Osinski: Summer Days Staten Island

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Taken in the “forgotten borough” of Staten Island between 1983 and 1984, Christine Osinski’s photographs create a portrait of working class culture in an often-overlooked section of New York City. Captured on Osinski’s large format 4 x 5 camera as she wandered the island, her candid portraits of strangers, vernacular architecture, and quotidian scenes reveal an invisible landscape within reach…
Dona Ann McAdams: Performative Acts

Dona Ann McAdams: Performative Acts

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In the 1980s I often attended performances at P.S. 122, the seminal venue for avant-garde performance in New York. As an artist and curator, I found inspiration, talent, and a community of intense purpose. Identity-based politicized work found its home there. Often times, I would notice a woman, unobtrusive, off to the side, seated on the floor, taking photographs with…