In the 1980s I often attended performances at P.S. 122, the seminal venue for avant-garde performance in New York. As an artist and curator, I found inspiration, talent, and a community of intense purpose. Identity-based politicized work found its home there. Often times, I would notice a woman, unobtrusive, off to the side, seated on the floor, taking photographs with…
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- A tale of America, told through iconic photographs from the 1930s, is the subject of One Third of a Nation:…
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