Merian C Cooper, the visionary behind the chest-thumping giant gorilla atop the Empire State, was a remarkable man. An old school adventurer, he could list World War I flying ace, POW, journalist, explorer, airline owner and Oscar-nominated documentary-maker on his resume before he came to make King Kong, and he continued his adventuresome ways until his death in 1973. He was part of the first generation of US film-makers, those who saw creating a movie as the latest in a line of thrilling technological challenges. These pioneers of the Machine Age seized movie cameras in the 1920s with the same enthusiasm as they had grabbed the controls of airplanes a decade earlier. King Kong shares the dashing spirit of its producer, and eptiomises his fascination with technology. After all, Cooper plays the pilot of the plane that kills Kong, the very embodiment of twentieth century machinery’s triumph over Nature.