In the spirit of nineteenth-century photographers such as Louis Daguerre, Henry Fox Talbot, and Timothy O’Sullivan, the photographs on view are ambrotypes, unique glass-plate positives, made with the wet-plate collodion process in a portable darkroom Kolster sets up along the banks and overlooks of these rivers. The chemical slurries that develop and fix the image on the glass plate actually…
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- See Through: Windows and Mirrors in Twentieth-Century Photography brings together a group of images that are doubly framed—once by the…
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