The show highlights Levitt’s unique gift for capturing the way people communicate through body language, with special emphasis on one of her perennial interests: pairs of people sharing a moment in the streets and on the stoops of her native New York City. Helen had a singularly lyrical eye and, whether it’s two children dancing in the street or two nuns perched at the bank of the East River, her work never fails to show the playfulness that is at the heart of human interaction. Not surprisingly, Helen reveals this in animals as well, joyfully sharing two New Hampshire pigs in a barnyard kiss, from 1986.
This 30 print show surveys these themes across her six decade career, featuring both her classic black and white work which began in the late 1930’s, as well as her pioneering color work from 1959 on through the 1980’s. Among the works selected are a number of unique first prints, including two 4×5” contact prints of a gypsy boy at home, shot in 1939 using her friend Walker Evans’ camera and flash. The slight turn of the boy’s hand was the key to Helen’s choice to publish this one over the variant.
Part of the pleasure of Helen’s pictures is their glimpse of an old New York, before television and air conditioning, when people were lined up on their stoops like the fruit in a street vendor’s display. Conversely, Helen’s work is forever young because its true subject is the ageless spark between two people (or animals).
Helen Levitt
Pairs and Apples
June 14 – July 21, 2017
Laurence Miller Gallery
20 W 57th St, 3rd Floor, New York, NY 10019
laurencemillergallery.com
NYC, 1939. Helen Levitt: Pairs and Apples
NYC, 1940. Helen Levitt: Pairs and Apples
NYC, East River, circa 1945. Helen Levitt: Pairs and Apples
NYC, circa 1939. Helen Levitt: Pairs and Apples
NYC, circa 1939. Helen Levitt: Pairs and Apples
NYC, circa 1945. Helen Levitt: Pairs and Apples
NYC, 1939. Helen Levitt: Pairs and Apples
