Meiselas has, in the course of her forty-year career, brought together photographs, interviews, and artifacts to tell stories both intimate and epic. She has documented the public and private lives of carnival dancers (Carnival Strippers, 1972–75), photographed Nicaragua throughout its decade-long revolutionary period beginning in the 1970s, assembled a detailed and rigorous visual history of the Kurdish people (Kurdistan: In…
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- Burton Brothers (1866–1914) was one of New Zealand’s most important nineteenth-century photographic studios and was based in Dunedin, New Zealand.…
- Bernd and Hilla Becher (1931–2007, 1934–2015) began taking photographs of framework houses in Siegen’s industrial region early on in their…
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